藍慕沙闡述米開朗基羅的作品，這是用另一種方式來看

米開朗基羅的"創造"

Michelangelo’s “Creation” viewed in a different way –
Ramtha on the true meaning of Michelangelo’s work

米開朗基羅壁畫的深層含義，藍慕沙快二十年前就已詮釋
「注意看掛在牆上的壁畫，那是誰畫的？是米開朗基羅，這幅畫的象徵意義是什麼？創世紀，人們都如是說，但這幅畫象徵的真正意義是這樣的，你們看那位身穿優美飄逸白袍的神？那其實是神住其中的人腦圖，是一分為二的人腦切面圖。
就象徵意義而言，從其中流動而出那綠色的結構體就是腦幹和脊椎，那些小個兒支撐著神的神明其實就是人腦中必要的各個腺體，其各個體身就象徵著各腺體流動其中的體身。
神從腦前額葉向那人伸出手，而為人者的象徵，卻是位懶洋洋、似乎不欲與他內在的神有所碰觸的人。如此，才是這幅畫的真正含義，而且這含義已年代久遠，世界上也只有極少數人才能正確解讀的含義。」
--- 藍慕沙
華盛頓耶姆入門閉修班第二級
1996年8月13日
原文来自电子报：
– Ramtha explained almost 2 decades ago the hidden meaning of Michelangelo’s painting
“Look at the painting up on the wall. Who did that painting? Michelangelo. What is it supposed to represent? Creation. Well, that is what they were told, but this is what it really represents. You see God in that beautiful, flowing, white garment? That is a brain with God inside of it. That is a brain sliced open in half.
Symbolically that green, streaming piece of fabric coming out of it is the brainstem and the spinal column, and all those little deities that are propping up God are in fact important glands in the brain. Their bodies represent the part of the body to which that gland flows.
God is reaching out of the frontal lobe to man. Man is represented as an individual who is quite lazy and has no desire to make contact with that which is within him. So the picture actually represents, from times long ago, what only a select few in the world could interpret correctly.”
- Ramtha
Beginning Retreat Level 2
Yelm, WA
August 13, 1996

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中文翻譯:ram.tw小組製作